Dahomey - translation to γαλλικά
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Dahomey - translation to γαλλικά

FORMER KINGDOM IN WHAT IS NOW BENIN
Kingdom of Dahomey; Dohomey; Danhome; Dahomeyan; DHY; Dahomey kingdom; Dahomey people; Dahomean; The Kingdom of Dahomey
  • In 1894, the last King of Dahomey, [[Béhanzin]], surrendered his person to [[Alfred-Amédée Dodds]]
  • Dahomey female soldiers
  • The reception of the Ah-Haussoo-Noh-Beh in Abomey drawn by Frederick E. Forbes in 1851
  • King [[Ghezo]] displayed with a royal umbrella
  • Zoomorphic representation of Béhanzin as a shark
  • The poster announcing the London premiere of ''In Dahomey'' at the [[Shaftesbury Theatre]], 1903
  • Comparison of Africa in the years 1880 and 1913
  • The history of Dahomy, an inland Kingdom of Africa]]'', 1793

Dahomey         
Dahomey, former name of Benin (country in western Africa)

Ορισμός

Beninese
[?b?n?'ni:z]
¦ noun a native or inhabitant of Benin, a country in West Africa.
¦ adjective relating to Benin or its people.

Βικιπαίδεια

Dahomey

The Kingdom of Dahomey () was a West African kingdom located within present-day Benin that existed from approximately 1600 until 1904. Dahomey developed on the Abomey Plateau amongst the Fon people in the early 17th century and became a regional power in the 18th century by expanding south to conquer key cities like Whydah belonging to the Kingdom of Whydah on the Atlantic coast which granted it unhindered access to the tricontinental triangular trade.

For much of the middle 19th century, the Kingdom of Dahomey became a key regional state, after eventually ending tributary status to the Oyo Empire. European visitors extensively documented the kingdom, and it became one of the most familiar African nations to Europeans. The Kingdom of Dahomey was an important regional power that had an organized domestic economy built on conquest and slave labor, significant international trade and diplomatic relations with Europeans, a centralized administration, taxation systems, and an organized military. Notable in the kingdom were significant artwork, an all-female military unit called the Dahomey Amazons by European observers, and the elaborate religious practices of Vodun.

The growth of Dahomey coincided with the growth of the Atlantic slave trade, and it became known to Europeans as a major supplier of slaves. Dahomey was a highly militaristic society constantly organised for warfare; it engaged in wars and raids against neighboring nations and sold captives into the Atlantic slave trade in exchange for European goods such as rifles, gunpowder, fabrics, cowrie shells, tobacco, pipes, and alcohol. Other remaining captives became slaves in Dahomey, where they worked on royal plantations or were subject to human sacrifice during the festival celebrations known as the Annual Customs of Dahomey. The Annual Customs of Dahomey involved significant collection and distribution of gifts and tribute, religious Vodun ceremonies, military parades, and discussions by dignitaries about the future for the kingdom.

In the 1840s, Dahomey began to face decline with British pressure to abolish the slave trade, which included the British Royal Navy imposing a naval blockade against the kingdom and enforcing anti-slavery patrols near its coast. Dahomey was also weakened after failing to invade and capture slaves in Abeokuta, a Yoruba city-state which was founded by the Oyo Empire refugees migrating southwards. Dahomey later began experiencing territorial tensions with France which led to the First Franco-Dahomean War in 1890, resulting in French victory. The kingdom finally fell in 1894 when the last king, Béhanzin, was defeated by France in the Second Franco-Dahomean War, leading to the country being annexed into French West Africa as the colony of French Dahomey, later gaining independence in 1958 as the Republic of Dahomey, which would later rename itself Benin in 1975.

Παραδείγματα από το σώμα κειμένου για Dahomey
1. Le Musée Barbier–Mueller réunit des pi';ces africaines en métal ouvragé. Laurence Chauvy Lundi 2' décembre 2008 Autels portatifs du Dahomey, aujourd‘hui au Bénin, monnaie d‘échange (ou cloches) aux dimensions imposantes, statuettes qui plient le corps humain selon des formes souples et originales, rares bijoux, les objets de métal présentés au Musée Barbier–Mueller encore jusqu‘au début de l‘an prochain ont de quoi séduire et étonner.